The Whitney Biennial bills itself as the pulse-check of what American art looks like now. This year’s edition, curated by ...
An aural atmosphere, not a visual image, is the signature of the 2026 Whitney Biennial. This is a show of clickings, and ...
This year’s biennial isn’t “weird,” as so many others have called it, writes Aruna D’Souza in her review. It’s beautiful, smart, charming, joyful, mournful, and it has a curatorial logic even without ...
The latest edition of the prominent, often controversial survey of American art is an aimless overview that offers little memorable work.
In darkening times, the New York institution’s flagship exhibition turns to the cute, the zany and the interesting. Is this move evasive, or even appropriate?
Across the Biennial, artists trace the afterlives of empire, technological distortion and ecological collapse—theirs is a world struggling to imagine the conditions of its own renewal.
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